Guess Who's Coming to Dinner Quotes A couple's attitudes are challenged when their daughter introduces them to her African-American fiancé. This page was last edited on 12 June 2020, at 01:42. There's an extra disc devoted to Guess Who's Coming to Dinner and Stanley Kramer's legacy, though oddly enough no running commentary has been provided on any of the movies except The Wild One (authoritative testimony by film historian Jeanine Basinger) and The Member of the Wedding (meandering remarks by Carson McCullers biographer Virginia Spencer Carr). Where John made his mistake I think was in attaching so much importance to what her mother and I might think... because in the final analysis it doesn't matter a damn what we think. Why don't I go check into a hotel and get some rest, and you go find your folks? Depending on one's disposition, a Stanley Kramer picture was either powerful or preachy, courageous or complacent, thought-provoking or manipulative, challenging or middlebrow, hard-hitting or heavy-handed. And I think that now, no matter what kind of a case some bastard could make against your getting married, there would be only one thing worse. You and your whole lousy generation believes the way it was for you is the way it's got to be. Burned-out- certainly, but I can tell you the memories are still there- clear, intact, indestructible, and they'll be there if I live to be 110. But you're two wonderful people who happened to fall in love and happen to have a pigmentation problem. But I can tell you the memories are still there - clear, intact, indestructible. John: You know, I just had a thought. And strange as it seems, that's the first statement made to me all day with which I am prepared to take issue. Matt Drayton: Oh no. And they'll be there if I live to be 110. https://en.wikiquote.org/w/index.php?title=Guess_Who%27s_Coming_to_Dinner&oldid=2808422, Creative Commons Attribution-ShareAlike License. Old? The Wild One also introduced biker hipster patter to movie audiences and defined biker fashion for decades to come. And if it's half of what we felt- that's everything. Homer: Let me see that. You could try to ignore those people, or you could feel sorry for them and for their prejudice and their bigotry and their blind hatred and stupid fears, but where necessary you'll just have to cling tight to each other and say "screw all those people"! After all, a lot of people are going to think we are a shocking pair. I always have and I always will. Reviewers didn't like it, either. This is the one about the well-to-do, cozily liberal San Francisco couple--Spencer Tracy and Katharine Hepburn in their final screen pairing--suddenly confronted with the news that their daughter (Katharine Houghton, Hepburn's niece) has fallen in love with and intends to marry an internationally renowned doctor who happens to be black (Sidney Poitier, America's top box-office star that year). I'm your son. You are 30 years older than I am. The only thing that matters is what they feel, and how much they feel for each other. As for you two and the problems you're going to have, they seem almost unimaginable, but you'll have no problem with me, and I think when Christina and I and your mother have some time to work on him you'll have no problem with your father, John. Tillie: I don't care to see a member of my own race getting above himself. … Whatever his profile, for the better part of two decades Kramer loomed large on the American cinema horizon as a fighting liberal and truth-seeker. Because I think you're wrong. A great memorable quote from the Guess Who's Coming to Dinner movie on Quotes.net - John: You listen to me. But you think of yourself as a colored man. Stanley Kramer is not just a name in film history but a virtual brand name for a subspecies of filmmaking. Well, Tillie, when the hell are we gonna get some dinner? 27 Nov. 2020. On screen, Harris's real age (26) is distractingly apparent, and her voice, like Frankie's aggressive neediness, can be like fingernails on the blackboard. Nearly wrecked Jim Carrey's career! And not until your whole generation has lain down and died will the dead weight be off our backs! Where John made his mistake, I think, was attaching so much importance to what her mother and I might think. Matt Drayton: Now Mr. Prentice, clearly a most reasonable man, says he has no wish to offend me but wants to know if I'm some kind of a *nut*. The heart of the film belongs to Simone Signoret and Oskar Werner, Oscar-nominated and also honored by the British Film Academy, the Golden Globes, and (Werner only) the New York Film Critics for their performances as two world-weary souls who briefly console each other en route to their respective dooms. Maybe every day for the rest of your lives. Nevertheless, it's won a cult over the years, and today's viewers should be more receptive to its dark whimsy. And from that day you owed me everything you could ever do for me like I will owe my son if I ever have another. The intended centerpiece of the collection is Kramer's last critical and commercial hit, Guess Who's Coming to Dinner (1967). That undoubtedly contributed to the film's overall kindly reception by reviewers, even as some acknowledged its blatant contrivances.
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