Your email address will not be published. Olson M-130 Harmonica Microphone. For a grill, I’ll either drill holes in a metal cap or cut out the center of a plastic jar cover and ad some screen for the center. We accept major credit cards and PayPal. Lapel mics, which are usually of the “electret condenser” type, can also be used, although most harp players prefer a dynamic or ribbon mic for acoustic playing. Required fields are marked *. Offline . After watching the BluesHarmonica.com overview video, try one of the lessons below to experience a lesson at The mic gasket seals around the mic element and creates a resonant "acoustic chamber" out of the rest of the mic shell (all the space behind the mic element). where would I go to find some decent grills for the mics? Hope you don't mind my posting the URL Greg. No CR or CM mic can even come close to putting out the low end that you could get from a good crystal mic. Harmonica microphones are an essential accessory for any harmonica player. September 2019 - Shane Sager endorses Ultimate microphones . To engineers, this means it has better frequency response (able to “hear” higher and lower sounds), flatter frequency response (no particular frequencies are made significantly louder or softer), and/or more “headroom” (the ability to tolerate higher sound pressure levels without distorting). "You pays your money and you takes your chances.". Some favorite vintage elements – Shure CM and CR’s, Shure, Astatic and Brush crystals – don’t fit shells much smaller than the traditional “JT30-size” bullets. Harp Surgery is one of the best harmonica sites on the internet: consistently both informative and entertaining. NEW IN OPEN BOX DIGITAL REFERENCE RED HOWLER PRO HARMONICA MICROPHONE DRHM1. I found out that it had the crystal element inside but it really stinks and now I am going to buy the Paul Butterfield mic which is the Shure 545 SD. And finally (for now) for those that haven't read it, Greg has a great downloadable PDF on his web site that really does cover a lot of territory regarding mics and amplified harp playing. 1 reply Tue, 08/28/2012 - 08:37 hank stefaniak . All the bass is added by the amplifier through harmonic distortion. To engineers, this means it has better frequency response (able to “hear” higher and lower sounds), flatter frequency … Denis. With the BlowsMeAway Bulletini Harmonica Mic, is a bullet mic with a huge tone, thanks to the Heumann Elementtm There have been sub-sized harp mics on the market for years. But the difference in tone between cupped and uncupped with this mic is far less than it is with an “older tech” microphone. CR/CM elements have more bottom-end and can sound a little fatter and richer. For this reason some custom harp amps are made with a 5 megohm input specifically for crystals. Drill out the base and install a cable connection, 3.5mm mono maybe so I can scavenge the cable from an old harmsol unit with a belt mounted volume control. If anyone has the number for a good glazier, let me know ;o). I’m trying to setup an experiment like the one shown here: (http://www.picotech.com/experiments/speedofsound/speedofsound.html). For a more bluesy sound I make my own mics using old telephone mouthpieces, I’ve even made a few with small speakers. Dynamic and crystal: what’s the difference? Great job! BluesHarmonica.com. Every microphone uses an element that was designed for more general purposes. I play mostly chromatic harmonicas and use a few different Mics, The Audix Fireball ( made specifically for the harmonica player) and the Shure SM-58, both clean mics. Many have died, most are dying, and a single drop can kill a good one. mahalo Kona Steve of south oceanside, A mic whore! Harmonica Microphone Elements. >>. It prevents us from overdriving the microphone. An amp with 50K input impedance will suck the tone right out of the best crystal. At The Harmonica Company we look to source mics that are suited specifically for playing the harmonica. Would really like to learn how to make a few of these.. he is selling a BUNCH of them on ebay… Ending Nov 30 at 12:47AM PST 6d 18h. Ray, These are high Z mics, like the green bullet. But doesnt answer my mail.. Fact 1: There is no such thing as a mic element designed for harmonica players. Brush BA 116 Vintage Crystal Element Microphone jason ricci signature harmonica mic the jason ricci signature harmonica microphone was designed by the lone blues co. this is a great mic shell that you can use to build your own blues harmonica microphone. Thanks. In the first of a double post, he describes two kinds of elements used for amplified blues harp and… well, it gets technical after that. Ebay will be a lottery as there is no real way of telling the crystal quality until you get the mic through the post. In my next post I’ll be talking more about vintage dynamic elements made by Shure: “Controlled Reluctance” and “Controlled Magnetic” elements (“CR” and “CM”). It is hard to describe the difference, but to me a good crystal has a slightly nasal “honk” to it that the CR or CM doesn’t have. Currently I’ve got about 70 Shure controlled-magnetic and controlled-reluctance cartridges on hand, ranging between 1949 to 1995. (not) Greg was alwayes cool and knows his gift. If they are low-z is the a converter that is small enough to set inside the wooden shell to allow it to be conected right to an amp with a guitar chord? So now let me tell you the disadvantages of crystal and ceramic elements. Does anyone know if the mic elements that are in phone receiver are high-z or low-z ? I’m starting to come back to the Green Bullet. And it is a good harp mic for playing acoustically, or for avoiding a distorted input signal for other reasons such as playing through an amp modeling pedal. Voila – sound! Fact 3: High headroom also works against us. Mic Elements. This mic is lo z and really sucks! Harmonica Microphone Element Ceramic Crystal Hi-Z Harp Mic Fits JT-30 and Others. Every microphone uses an element that was designed for more general purposes. Please don’t experiment with your good harp mic elements to see how well they work as speakers. We’re looking for small and inexpensive. inexpensive gear. Save my name, email, and website in this browser for the next time I comment. That’s a first! Hohner absorbed the last of the MC-151's and used them up, later substituting a more modern and much cheaper crystal in the BluesBlaster. But…. I’ll be streaming/chatting on discord while also a bit of harmonica recording here and there. For my part, 4 x 10 speakers are a way ahead. And you can drop them (protected, of course, by a proper gasket inside a microphone shell) and they don’t break! Highly recommended reading and just in case Greg is too 'shy' to mention it, it is: or Best Offer. A dynamic element may well reduce or even mute the hum. The best amps I’ve heard for crunch are the Fender Bassman, Fender Twin Reverb and Sonny Junior amps. How do they actually work? Greg Heumann is curating our Harmonica Microphones section. A good amp and good volume control will still let you get good tone, but you have to be aware that this is an issue and manage it. A dynamic element uses the electromagnetic principle to convert sound into electrical energy. That being said, the CR and CM mic’s are as good as it gets these days for good Chicago type blues harp tone. A speaker can actually be used as a microphone, and a dynamic microphone can be used as a speaker (think headphone speaker.) The one main problem is finding an element 2 cm wide and about 1 cm thick. http://blowsmeaway.com/all%20about%20harmonica%20microphones.pdf. I agree with Fritz - the original crystal elements, designed and manufactured by Brush and manufactured under license by Shure and Astatic DID have a different sound than dynamic elements. A crystal element relies on an entirely different principle called the “piezoelectric” principle – the diaphragm is connected to a crystal of “rochelle salt” or a manmade ceramic with piezoelectric properties. Which is why you’ll get different responses or none at all. Their impedance is lower so they stand up well to volume controls, pedals, splitters, etc. A standard vocal mic like Shure’s venerable SM58, plugged straight into the PA, is a safe bet and usually sufficient. http://www.youtube.com/watch?v=N3DZX5izeyY&feature=player_detailpage. THE MOST IMPORTANT PART. There is no simple, definitive answer. The good ones were made 70 years ago and are at the end of their life. They just don't sound that different from dynamic elements, which, due to their construction, tend to have lasted much better. There are many kinds of elements in all of microphone-dom, including ribbon mics, condensers, electret, crystal and dynamic. http://blowsmeaway.com/all%20about%20harmonica%20microphones.pdf, http://www.bluesharmonica.com/ceramic_elements. They are also extremely high-impedance elements. I have been toying with the idea of turning an old Mini Maglite into a mic. For this week’s Harmonica Microphones post we asked Greg Heumann to give us the low-down on the bewildering universe of mic elements. Some favorite vintage elements – Shure CM and CR’s, Shure, Astatic and Brush crystals – don’t fit shells much smaller than the traditional “JT30-size” bullets. I’m sure Greg will be thrilled to hear that you endorse his work so strongly.
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