The more valuable luxury is the sheer quality and ingenuity of the music. Napple Tale contains an utterly mercurial magic and innocence, overpowering with a mischievous elfin grin the melodramatic bombast and empty bluster of so much VGM. These cookies will be stored in your browser only with your consent. There is no certain theme to Yoko Kanno's music. Eerie lullabies are the best kind, are they not? I had been waiting for this for a while; to delight in tearing away the paper, inserting the contents into my hi-fi system (doesn't that sound naughty now), and enjoying the music over a cup of hot chocolate. Ah, really nice review! The violins are awesome. "Jumping Cracker" recreates the madcap feel of Carl Stalling's classic Warner Bros. SoundCloud. Her singing instills a sense of innocence and longing into the tune, making it almost heartbreakingly sweet and wonderful. Creative Commons Attribution-ShareAlike License. However, Napple Tale might be the score where Kanno achieves the perfect balance between stylistic variety and consistency – the score’s genial, sunny disposition effortlessly pulls its myriad strains together. April 1, 2001. Tracks like “Flowers of Yesterday’s”, “Stroll” and “Cecil’s Garden” have all the pastoral beauty and melodic warmth one would expect from a Kanno soundtrack underscoring Napple Tale’s welcoming world. I will have to check out the rest of this now, you did a good job of enticing me. Occasionally legend is indeed more intriguing than reality. We also use third-party cookies that help us analyze and understand how you use this website. Recorded in 2015 Another Maaya song- this one is from a video game called "Napple Tale". Greeeat OST. As usual, what we can glean just from the first of the two discs for Napple Tale is that Yoko Kanno pulls off a miraculous feat once again: she manages to use lots of different musical styles and yet it all sounds cohesive. And at 2 minutes, it doesn’t overstay its welcome. Released Oct 21, 2000 by Marvelous Ent. “Jumping Cracker” feels like an homage to Carl Stalling’s frantic Warner Bros. cartoon scores, while “Snow Queen” and “Dual Tango” see Kanno write a more than convincing flamenco and tango respectively. Maaya Sakamoto’s vocals lead a track that switches between genres at a drop of a hat while maintaining its sense of child-like wonder and energy. A full string/woodwind ensemble comes in for the chorus, and the song continues to build from there. Best VGM 310 - Napple Tale - Cecil's Garden - Duration: 3:29. Your email address will not be published. We'll assume you're ok with this, but you can opt-out if you wish. I will simply say that in all my listening experience, it is my favorite. This marks the first time the soundtrack of Fatal Fury will be made available on vinyl! This website uses cookies to improve your experience. The most surprising thing about it is its ability to throw in unexpected instruments. Napple Tale OST Vol. All that being said, fans of Kanno’s trademark orchestral lavishness will still find much to enjoy on the Napple Tale: Arsia in Daydream soundtrack. But it’s “Paffet Room”’s consciously old-timey piano that more clearly crystallises the music’s concern with the past and our relationship to it. The score’s first vocal track “Tail Song” quickly heralds Kanno’s intentions, with a sweetly unpredictable lead melody that darts all over the place. 1 ~ Illustrated Guide to the Fairies is the first of two albums featuring the game's music. This category only includes cookies that ensures basic functionalities and security features of the website. I am, of course, thinking of the Schwarzwald (or “Black Forest”) in southwest Germany. These are childish tunes, bordering on the irritating but still keeping some sensibility within. But somehow Sega lured her back into the fold to compose for its fantasy Action RPG Napple Tale. These cookies do not store any personal information. “Circus” presents the Napple Tale: Daydream in Arsia soundtrack’s most complex and intriguing mix of emotions – combining the upbeat strains of circus music with chromatic metallic percussion and curiously longing string and trumpet melodies set far in the distance. Interestingly, “Flowers of Yesterday’s” and “Cecil’s Garden” seem to actively avoid making any grand statements. In Kanno's music we find a masterful illustration of the line between artful simplicity and insipid simple-mindedness, and it is never less than perfectly clear on which side Kanno stands. “Circus” presents the, Returning to the past thus remains a resolutely futile undertaking, but ultimately melancholia is swept aside by the life-affirming optimism of “Wild Wind” and the beguiling Celtic lilt of its flute leads. Want more details as to the nature of the music? Can’t think of an anime/game composer with a more impressive oeuvre than Kanno. And you know what it reminds me of? Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. The music in Napple Tale was composed by Yoko Kanno, one of my idols, thus my excitement when I got my hands on this album. Returning to the past thus remains a resolutely futile undertaking, but ultimately melancholia is swept aside by the life-affirming optimism of “Wild Wind” and the beguiling Celtic lilt of its flute leads. For newbies to Kanno (…if such still exist…), the three cd compilation/arrangement ‘Space Bio Charge’ is a really good introduction — and even if you have a few of her bigger OSTs, there are some gems on there…, […] Original Sound Version » Blog Archive » Soundtrack of the Month 04 …… […]. Kanno's aversion to genre ethic means there's no easy label under which to file this music. I have only heard Bell Jar and it’s every bit as good as you describe it. Submit or listen to your favorite song, songs, or a … I’ll be holding a rose by my teeth and dancing; meanwhile, someone will be filming me in black and white. Honestly, I don't know how she does it. There are many moments of sparkling brio. It’s over 4 minutes long, and I just love this song. Instead, her zanier compositions turn the world of Napple Tale into a strange yet still endearing land of humorous characters and situations. “The Green Caterpillar” almost feels like Kanno’s take on Banjo-Kazooie’s bumbling bassoon melodies, while “The Man in the Hole” sees her poke fun at overblown operatic splendour. Something bouncier, fluffier, and more enchanting. "The Snow Princess" has a fast-paced Spanish feel to it, with the guitar and clackers in the background, as does "Dual Tango." We don’t have any upcoming events for this artist right now. I'm reviewing them together for convenience and so I can review the soundtrack as a whole.). I’d love to be the pianist in a live performance of this song. Napple Tale contains an utterly mercurial magic and innocence, overpowering with a mischievous elfin grin the melodramatic bombast and empty bluster of so much VGM. However, it’s safe to say that Napple Tale is just as outstanding as her other scores of this era. In my opinion, you have to be angst-wrought and really, really hate music to not enjoy even one of Yoko Kanno's songs. One such case is Napple Tale: Arsia in Daydream, a Japan-only Dreamcast title that initially made waves for having been developed by a predominantly (or even exclusively) female team. I am always mesmerized when I hear this song. (Note: They should have been packaged together, but the two volumes of Napple Tale OST are actually sold separately. Apropos for a game set in a surreal cartoonish dreamworld, Kanno brings her enduring love of impressionistic music to the fore, suffusing her score in a multi-hued glow of delicate, pastel colors. I’ve only listened to some tracks and I can say I can’t wait to get stuck into the rest of the OST! But when you say “Cowboy” and “Bebop,” you know that you’re getting a strange blend of jazz and country. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. Although Kanno uses synth textures to add spice to some tracks, and a couple on both discs are all electronic, there's no chip generated music anywhere, and no synthesis of acoustic instruments. Note also “Dual Tango” (track 16) for more Tango action. Napple Tale Vol. These aren't one-minute loops with fadeouts, but fully developed, complete pieces with proper endings; this alone is a rare enough luxury among game soundtracks. And "Snowball" is the most incantatory evocation of snowfall and the wistful joy it inspires I've heard outside Debussy's piano piece "The snow is dancing". Thankfully, in Kanno’s assured hands, such musical oddities never fragment the score’s flow. Do you have any photos of this artist? "Rabbit Bed" by Yoko Kanno on the 2000 game soundtrack album "Napple Tale OST 2" Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. Occasionally legend is indeed more intriguing than reality. I had been waiting for this for a while; to delight in tearing away the paper, inserting the contents into my hi-fi system (doesn't that sound naughty now), and enjoying the music over a cup of hot chocolate. Let us know what you think of the Last.fm website. I promise you, though, there are no “stinkers” across the two albums.
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